Spirits In Peace Blog

Late last evening, I, and many others in the literary community, learned of the passing of poet and publisher Sondra Ball. This is a great loss, and one need only type her name into a web search to gain an inkling of this woman’s remarkable accomplishments.

In a world too often replete with pretension and elitism, Sondra was one of the genuine ones who cared for literature and poets as opposed to mere person gain and advancement.

Sondra lived in New Jersey with her husband, Mario Cavallini, and she and I often exchanged notes about the weather - especially signs of spring and the beauty of autumn, relative  to the nature poetry we both so loved.  Since its inception in 1997, her e-zine, “Autumn Leaves” was an excellent forum wherein aspiring poets could be published. It was published twice monthly and apparently received 300,000 hits monthly, which shows both the magnitude and the quality of this remarkable woman’s undertaking. One might wish to peruse the following link:One final edition of Autumn Leaves will be posted at that site.

http://www.sondra.net/al/

One final edition of Autumn Leaves will be posted at that site.

Recently, Sondra’s breast cancer, which had been in remission for many years, returned, and notes from Sondra became less frequent. Unfortunately, the cancer was found to have metastisized. In the early morning hours of in the first hours of Tuesday, March 16th, Sondra passed away after a difficult illness.

I have written the following piece in memory of Sondra:

As much as I am not a fan of winter, sometimes I must confess that the scenery is downright breath-taking. There is nothing quite like snow on fully-skirted spruces, fresh deer track, or ice crystals on finely-twigged alders to give rise to verse. The name I have coined for this is “snowetry.”

I am a person who tends to get shack-wacky when I am stuck at home, but sometimes being snowbound is not so bad at all. It can provide one with a much-needed change of pace, an excuse to kick back and do whatever one loves best. In my case, that of course is writing. During a recent blizzard, the following piece emerged:

Sometimes Snowbound

Sometimes snowbound satisfies and eases
Sunday soul, with extra hours to stanza-scribe,
spans to laze and loll. Sometimes snowbound
fascinates, filling fancy’s feathered plume
with sonnet and sestina, sijo and senryu.
Sometimes snowbound sparkles with crystalline
clarity, solstice stars more scintillating
than on any August eve. Sometimes snowbound
wins and warms winter-weary heavy heart,
as hearth-fire’s engaging crackle creates
captivating spell. Sometimes snowbound
motivates meditative mind and mood,
musings swiftly scribbled in introspective inks.

©Carol Knepper

photograph courtesty of BigFoto

Almost anyone who loves literature is familiar with the famous lines by William Wordsworth:

“It is a beauteous evening, calm and free,
The holy time is quiet as a Nun
Breathless with adoration…; the broad sun
Is sinking down in its tranquillity…” *

The past couple of evenings have been just like that here, an unusual occurrence in this maritime climate. Usually the fog rolls in, the wind picks up, or it just plain becomes too chilly to sit outside and enjoy the later part of the evening. But of late, the days have been uncomfortably hot, while dusk has been pure perfection.

After almost a month of seemingly incessant rains, we are finally getting a bit of summer, bitter-sweet, of course, as it will all end soon and there will be a nip in the night air. It is wonderful to be outside and see, hear, and even smell the exuberant enjoyment others are taking in this late start to a very abbreviated summer. The sound of laughter on nearby decks, the whiff of a barbeque, and the shrieking and splashing of children in a swimming pool are sheer delight.

Photography Courtesy Of BigFoto

The sunsets have been spectacular, the stars, well, stellar, and my poetic imagination took flight as last evening’s sky became streaked with ever-changing pinkish clouds. This is the result:

August Mandolin

Where have you gone, mid-summer mandolin?
Have you slid smoothly into saxophone or falter-fainted
into flute? Have you vanished just to reappear
as vapour-violin, strings puce-plucked in evening sky,
frets a faded rose? Have you trickled into piccolo,
your tune of paltry pitch, transformed into tuba,
or swelled to sousaphone? Or is your symphony
such sound as stirs my sun-starved heart,
your August grandeur so august as to mystify my soul?

Carol Knepper ©2009

* from the Petrarchan sonnet “It is a Beauteous Evening, Calm and Free” by William Wordsworth

Photograph Courtesy of BigFoto

There is something about spring that, for me at least, gives rise to quick burst of energy. Winter is long and slow, and I sometime set myself to work on time-consuming tasks, but at the first whiff of spring, my energy level kicks up a notch. I want nothing to do with anything long and labourious, and prefer to work with more speed and intensity. Perhaps I simply want to abandon the computer and head outside, even though the air is still a mite chilly. Perhaps, like the nature I see around me, I am reborn in some sense and more childlike in my attention span.

But, in any case, spring always brings forth a burst of poetry. I like to experiment with forms, and one of my more recent forays has been into the area of tanka, with the assistance of Richard Doiron, a definite expert in such matters. I had attempted this form in the past, but from him I learned a great deal.

The changeable weather and emergence of spring flora together with the inevitable backward glimpses of winter at this time of year inspired some recent tanka.

her poem painted
- tanka x 5-

silently cursing
the apparently endless
blizzards this winter
surely an indication
of a planet in distress

her spirits sinking
on noting the ankle-deep
early spring snowfall
as good as fertilizer
for emerging daffodils

her concept of spring
does not in her books include
unwelcome snowfall
considered an obvious
redundancy in her mind

april erupting
in glorious colours she sees
her poem painted
with saffron of crocuses
staining each verse and stanza

colourful darwin
tulips earning her praises
their scarlet cheerful
unlike bloodstains of battle
wherein darker sides revealed

©Carol Knepper

Picture From BigFoto

Spring is such a source of inspiration, for poetry both of nature itself and that of spirituality. This is such a rowdy, colourful season after the quiet, dignified whites and grays of winter. Robins arrive, and who does not welcome that sight and sound? Even the hoarse call of grackles has its own vernal charm as their deep purple plumage glitters in the longer hours of sunlight. The heart cannot help but leap at the sight, and many of us are filled with hope and optimism at the start of this welcome season.

For the poet - and I suspect many poets love nature - spring may be a time of poetic rebirth, in a way. Often, longer, more labourious projects are undertaken in the winter, when one is pretty much guaranteed uninterrupted time to work, other than the obligatory rounds of snow-shoveling, of course.

In spring, I find inspiration all around me. The first crocus or daffodil may inspire a poem, as may the marvelous chartreuse of the first greening of new foliage. Today, having spotted the first plucky robins to venture onto my still snow-covered lawn, the following pair of etherees emerged :

Incipient Hope: Two Etherées

That
welcome
appearance
of a large and
very cheeky flock
of robins creates an
element of hope for the
clement season to follow a
harsh seemingly interminable
icy winter we grumpily survived

And
cheery
red tulips
beginning to
bravely erupt in
spite of the quantity
of moldy snow and icy
patches lingering forever
lift spirits into those colourful
auras of incipient springtime hope

©Carol Knepper

Inspiration can come in the oddest forms. Poets do not always gaze at sunsets; we do the same things any one else does: we wash dishes, shovel snow, cook our meals, get together with friends, gas up the car, and watch movies. About a week ago, I saw the well-known chick-flick The Devil Wears Prada, and that was that. I am not one for designer clothing, especially as I grow older, and I just don’t get spending a thousand dollars for a pair of jeans, which, after all, are in the end hardly formal wear.

My spirit is fed by fields of flowers and the sight of cherry blossoms and crab trees. If our spirits are not wrapped and comforted, if does not much matter what we wear on the outside….

Picture Courtesy of BigFoto

Strangely, just today, while breaking up the eternal, infernal ice on the walkways, the follow etheree began to appear in my brain. Later, I adjusted it on Word.

Inspiration can come from anything and everything and no poet would ever be able to list the sources, as they are so abundant.

I am grateful for each and every poem my Muse brings me, regardless of source.

No Devil In Prada: Two Etherées

You
can keep
your Jacobs
purse, Hilfiger
jeans, and Cavalli
top. Sell your eternal
soul for a Burberry scarf
and single spritz of Dolce et
Garbana. Buy your Armani ring,
Gucci watch, and Versace apparel!

Wrap
me with
summer air,
floral fields and
roses’ scent. Allow
me to clothe myself in
floral hues of plain linen.
Blanket me with indigo skies,
illuminating my path with stars.
I am not the devil wearing Prada!

How out of whack things are! In this area, we have snowfall such as I have never seen, with little break and almost no melting between storms. Icicles at least six feet long are dangling from eavestroughs, and spring flooding is anticipated due to the incredible snow-pack.

Oddly, the conditions often give rise to a poem on the theme of nature, as I am deeply concerned about global warming. We are clearly seeing devastating effects, and have been for a good while now, but yet governments argue over carbon tax and people continue to drive gas-guzzling vehicles.

And still our Aboriginal Peoples, who understand nature better than anyone, are excluded from conferences and symposiums on the matter. Yet we can hardly think of looking seven generations down the line…

Recently, I was watching some of those killer icicles melt as the late February sun grows stronger each day, and it gave rise to an etheree:

Thoughts On Icicles Melting: A Reverse Double Etherée

On noting the melting of several
large icicles this mild afternoon
I contemplate the patterns of
nature and therein observe
that each single aspect
is perfectly planned
our human greed
being the bug
that upsets
this fine
form
and
knowing
that my own
role in mayhem
is no less than that
of most I simply stare
at the incessant dripping
and know that similarly our
planet is trickling away surely
as the icicles will soon disappear

©Carol Knepper

Those of you who have pursued some of my poems will notice that I often make mention, or develop an entire poem around, the theme of the colours of nature.In fact, I have an entire e-book, appropriately entitled Colours, devoted to that sort of idea.

Earlier today, I had written an etheree which focused on winter as a restorative period of necessary dormancy, and in it I entertained the idea the human beings also go through such periods, followed by a period of growth. A friend’s comment on the etheree, in which the term “winter blues” was mentioned, immediately prompted the piece posted later in this entry.

I must admit to having suffered from those winter blues, and this year I have gradually developed a different attitude, as life is simply too short to go around disliking an entire season. I must say the process, which was a matter of spiritual work, and comes down essentially to my love of all creation.

My Winter Blues

My winter blues are cerulean-clear, unlike
summer’s cumulus-climb of saturation’s shower.
My morning blues are crystalline azure-gray,
when ice-encrusted alders glitter-gleam in solstice
morning sun. My sporty daytime blues are denim-steel,
on frozen pond where some ingloriously strive to glide
on faltering flat of blade, while others curve and carve
on elegant easy edge past wobbling clumsy crew.

My winter nights are cobalt-rich, with sparkling stars
appearing well before repast, the supper hour spent
watching dazzle of Big Dipper and Orion’s awe.
As inky indigo creeps across such scintillating scene,
I thank Creator for the winter blues He brings to me.

©Carol Knepper

Photograph http://www.bigfoto.com/

Nature poetry can be inspired in most unusual ways. In my case, I do not necessarily gaze at a sunset and then proceed to write about it, although that can of course happen.

Oddly, physical work often causes a poem to spring to mind. Poems write themselves in my mind when I am washing the floor, vacuuming, folding laundry, shovelling snow, raking leaves or mulch, or doing other relatively mindless chores. Just recently, while chipping ice for the umpteenth time this winter, the following piece began to tweak in my brain, and presented itself in its entirety a short while after, while still in the heavy jeans and sweatshirt I had donned for the occasion.

Yearning For Yellow

I dream of drip of icicle and sigh for slop of snow,
as March gales begin their gust-shift into welcome
waft of spring. I yearn for yellow crocuses, stamens
saffron-stained, and pine for push of peony
through sodden April soil. I acutely ache for
elegant evenings, heliotrope-heavenly, and thirst
for trill of wood thrush in search of wiggling worms.

I long for late-night lingering on patio or porch,
while viewing vermilion sunsets well past
solstice supper hour. I miss merciful mellow
moments of blissful bask in blessèd warming beam
of beauteous Brother Sun. And I passionately
plead for his rapid reappearance from winter’s
straggle-stray, whereas his cold and crooked walk.