Spirits In Peace Blog

Photograph Courtesy of BigFoto

There is something about spring that, for me at least, gives rise to quick burst of energy. Winter is long and slow, and I sometime set myself to work on time-consuming tasks, but at the first whiff of spring, my energy level kicks up a notch. I want nothing to do with anything long and labourious, and prefer to work with more speed and intensity. Perhaps I simply want to abandon the computer and head outside, even though the air is still a mite chilly. Perhaps, like the nature I see around me, I am reborn in some sense and more childlike in my attention span.

But, in any case, spring always brings forth a burst of poetry. I like to experiment with forms, and one of my more recent forays has been into the area of tanka, with the assistance of Richard Doiron, a definite expert in such matters. I had attempted this form in the past, but from him I learned a great deal.

The changeable weather and emergence of spring flora together with the inevitable backward glimpses of winter at this time of year inspired some recent tanka.

her poem painted
- tanka x 5-

silently cursing
the apparently endless
blizzards this winter
surely an indication
of a planet in distress

her spirits sinking
on noting the ankle-deep
early spring snowfall
as good as fertilizer
for emerging daffodils

her concept of spring
does not in her books include
unwelcome snowfall
considered an obvious
redundancy in her mind

april erupting
in glorious colours she sees
her poem painted
with saffron of crocuses
staining each verse and stanza

colourful darwin
tulips earning her praises
their scarlet cheerful
unlike bloodstains of battle
wherein darker sides revealed

©Carol Knepper

Photograph http://www.bigfoto.com/

Nature poetry can be inspired in most unusual ways. In my case, I do not necessarily gaze at a sunset and then proceed to write about it, although that can of course happen.

Oddly, physical work often causes a poem to spring to mind. Poems write themselves in my mind when I am washing the floor, vacuuming, folding laundry, shovelling snow, raking leaves or mulch, or doing other relatively mindless chores. Just recently, while chipping ice for the umpteenth time this winter, the following piece began to tweak in my brain, and presented itself in its entirety a short while after, while still in the heavy jeans and sweatshirt I had donned for the occasion.

Yearning For Yellow

I dream of drip of icicle and sigh for slop of snow,
as March gales begin their gust-shift into welcome
waft of spring. I yearn for yellow crocuses, stamens
saffron-stained, and pine for push of peony
through sodden April soil. I acutely ache for
elegant evenings, heliotrope-heavenly, and thirst
for trill of wood thrush in search of wiggling worms.

I long for late-night lingering on patio or porch,
while viewing vermilion sunsets well past
solstice supper hour. I miss merciful mellow
moments of blissful bask in blessèd warming beam
of beauteous Brother Sun. And I passionately
plead for his rapid reappearance from winter’s
straggle-stray, whereas his cold and crooked walk.

Nature can be an inspiration even at times when the weather leaves a great deal to be desired. Right now, most of us have had winter, with its accompanying ice and snow, up to the proverbial ears. But yet there is a brutal beauty in the season, and life is too short to waste fretting over something we cannot control.

This winter, it has been my personal mission and mandate not only to see - for I have always seen it- but to enjoy without a trace of rancour or even spring wistfulness - the beauty in the crystalline trees and snow-capped cedars. Nothing is quite so magical as alders after an ice-storm, or tall black spruces draped in their snowy garments.

It helps if one can simply let one’s child come out and play, and let go, even briefly, of all the adult chores snow and ice entail. Do our lawns and gardens not involve chores as well? Do we not have to water petunias and tomatoes? Do we not rake those multi-coloured leaves in October? Why, then, do many of us consider winter work to be a special form of drudgery?

So this season I have let winter’s considerable enchantment in, just as I allow myself to be captivated by daffodils in May, lilacs and peonies in June, hydrangea in August, and the vibrant reds, oranges, and bronzes of the autumn’s leaves. I will not deny myself joy for three months of the year.

Nor do I have the right to dislike any aspect of God’s creation. After all, we are all part of this vast and mysterious Oneness, so in the end, to despise any aspect is to despise something of ourselves.

And that avails us nothing.

Study Of Spruce-Slouch

On this magical mid-winter morn snow falls
feather-silently on towering tamaracks, balsam firs,
silver pines. Through frosted window, I observe
bow of birch and slouch of spruce as branches
bravely bend under wonder-weight of white.

I note no bough is broken and detect graceful
arching drape of fully-skirted evergreens over dashing
dot of doe and drag of hoof. I study solid lessons
that such dazzling day as this surely strives to teach,
faith and flexibility its beauty’s beneficial themes.

© Carol Knepper 2009

I am often asked where I draw inspiration for my work. Like most poets, I suspect, I do not sit down and think, “Today I am going to write a nature poem.” It simply happens, poems being gifts rather than planned events.

Of course I draw inspiration from nature, although the source is not always clear-cut and obvious. Often such matters are subtle. I might be outside, for example, on a pleasant summer day, and while reading or weeding my flower beds, I might hear the call of a cardinal or notice the fragrance of peonies. The beauty seeps into my subconscious, even although I am preoccupied with something else at the time. A poem does not immediately emerge, but later on, one might begin picking in my brain, and it might not deal directly with cardinal-twitting or peony-scent, although such might be contained in the imagery, even if the poem is perhaps more spiritual in its focus.

Since I love the environment and have a deep and abiding love for Mother Earth, I consider myself, in some ways, first and foremost a nature poet, since the beauty and magnificence of this planet is a constant source of poetic inspiration for me. Although I write on many varied themes, my imagery is most frequently drawn from nature.